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Salon – September 2015

After a short intermission for the summer, the Salons have started up again as monthly events running through until December (first Friday of every month, free, 1pm to 5pm).

September’s special guests were Davy and Kristin McGuire. With their blend of installation, projection, theatre and interactive paper constructions, they talked about a range of projects and what it was like working in hybrid areas.

September 2015 Salon

September 2015 Salon - The McGuires

September 2015 Salon - The McGuires

It was particularly interesting to hear how, for one project, they had to add in an actor in order to qualify for a theatre-related grant, but that they regard storytelling as being the thread through all of their work, whether it gets shown within the context of theatre, puppetry or media. “We just see things as stuff to make; we don’t see the categories.”

The McGuires also brought in the Theatre Book for us to admire: a re-telling of Macbeth using pop-up and back projection. Just magical to watch in a darkened room.

September 2015 Salon - The McGuires' Theatre Book

September 2015 Salon - The McGuires' Theatre Book

September 2015 Salon - The McGuires' Theatre Book

We were also treated to co-curator Sarah Ellis (Head of Digital Development at the Royal Shakespeare Company) talking about what she cares about with respect to digital technology and the arts. After deconstructing the loaded term of ‘Digital’ and pointing out how theatre has always been connected to the age (and technology) of the time it’s in, we were reminded of the importance to connect and to be mindful of who might be disenfranchised by the tools we choose to use and the way we choose to talk about them.

September 2015 Salon

There was some interesting discussion after the presentations, and the projections theme was continued with One Five West showing and telling some of their early work in progress as they prepare for their Fierce festival commission. I’m afraid I was deep in conversation about sonar rangefinders for this, and forgot to take any photos, however you can check out the end result at Code and Carpentry: “a series of interactive objects that the audience can manipulate through movement, sound and touch”. You can move through, listen to and touch the installation at Birmingham Open Media from the 8th of October through until the 10th of November, 2015.

The next Salon is on October the 2nd, and features guest speaker Eleanor Morgan – you can sign up for free here.

Salon – July 2015

Following on from the Bees in a Tin conference, we have also begun our series of Salons – 5 monthly get-togethers for makers, researchers and do-ers who work collaboratively across disciplines.

At this, our first one, we were joined by co-curator Karen Newman from Birmingham Open Media, and invited speaker Brian Degger talking about his experiences with DIY biology, open source science and makerspaces. Karen also talked about artwork she’d come across that used biological techniques in interesting ways.

Brian Degger

Karen Newman

Brian had also brought in some of his homemade lab kit to demonstrate:

huddle

Our main aim with these events is to provide a space where people can link up with a range of possible collaborators and also gain more immediate support with their projects through constructive critique, playtesting, asking questions and presenting prototypes. These were needs that attendees flagged up during the sign-up process and, we’re happy to say, some of the feedback we’ve received afterwards has indicated we managed to start addressing.

The format for each Salon will be flexible, but our first iteration doesn’t seem to have been too far off: following the talks and some refreshments we then did a quick brainstorming activity in small groups.

group activity

We used this to give attendees a chance to interact with people they hadn’t met before and also to dream up some light-hearted “wouldn’t it be great if” DIY Bio projects for the Open Lab space at BOM. Real fish-eye lenses!

There was also a session where practitioners could share their work in progress: we had a playtest of a card-game-meets-interactive-soundscape, a demo of and brainstorm around some spatially-aware pods and a huge camera obscura set up in the corner of the space overlooking the canal!

The next Salon is on the 4th of September. Co-curated by Sarah Ellis, Head of Digital Development at the Royal Shakespear Company, the guest speakers will be Davy and Kristin McGuire.

Check out this example of one of their projects and then go and reserve yourself a place to find out more!

The Icebook (HD) from Davy and Kristin McGuire on Vimeo.

Bees 2015 – redux

A week or so on and I’m sat trying to sum up everything that happened at Bees in a Tin. That was a day that was very full of stuff! I’m going to mostly let the photos do the talking here, but you can also listen to the audio from the presentations and read people’s Tweets from the gathering too.

People had been instructed to come and find us up on the second floor. Once through the doors there were badges to be customised and then we were into the auditorium for the first session of presentations, (chaired by Clare Reddington).

Bees in a Tin! Photo: Nikki Pugh

Bees in a Tin! Photo: Nikki Pugh

Badges. Photo: Nikki Pugh

Badges being customised. Photo: Nikki Pugh

Bees in a Tin gets started. Photo: Katie Day

Bees in a Tin gets started. Photo: Katie Day

This session started off with Bill Aitchison taking us to Beijing via Stuttgart and a glimpse at the possibilities for transposing tour content and expectations between physical locations. This was followed by Duncan Speakman of Circumstance talking about cinematic experiences, rubber bands and marking out time. Rebecca Taylor then talked about a rooftop in Manchester, cranes, and questioning whether we design for good or for glory.

Bill Aitchison – The Tour of All Tours. Photo: Nikki Pugh

Bill Aitchison – The Tour of All Tours. Photo: Nikki Pugh

Duncan Speakman – The social composition of A Folded Path and the myth of interactivity. Photo: Nikki Pugh

Duncan Speakman – The social composition of A Folded Path and the myth of interactivity. Photo: Nikki Pugh

Rebecca Taylor – The Rooftop Project: The Story So Far… Photo: Nikki Pugh

Rebecca Taylor – The Rooftop Project: The Story So Far… Photo: Nikki Pugh

After lunch was our smörgåsbord of workshops and other interesting things: Punch the Custard saw a lot more action; Simon Park revealed an invisible world of microbes; Critters were met; Farmer Glitch bleeped and blooped; Robert Curgenven got a bit violent on our retinas (with nice things); Simon Farid instigated a small criminality; and Aste Amundsen et al playtested audience-responsive theatre systems.

George Buckenham - Punch the Custard. Photo: Mark Rhodes

George Buckenham – Punch the Custard. Photo: Mark Rhodes

Dr Simon Park – Exploring The Invisible. Photo: Nikki Pugh

Dr Simon Park – Exploring The Invisible. Photo: Nikki Pugh

Nikki Pugh – Meet the Critters. Photo: Nikki Pugh

Nikki Pugh – Meet the Critters. Photo: Nikki Pugh

Farmer Glitch : Farm-Yard Debris, Carboot Treasures – Petrol Can Synths… Photo: Nikki Pugh

Farmer Glitch : Farm-Yard Debris, Carboot Treasures – Petrol Can Synths… Photo: Nikki Pugh

Robert Curgenven – A Young Lover’s Guide to Perceptual Pataphysics. Photo: Mark Rhodes

Robert Curgenven – A Young Lover’s Guide to Perceptual Pataphysics. Photo: Mark Rhodes

Simon Farid – How To Impersonate a Plain Clothes Police Officer. Photo: Nikki Pugh

Simon Farid – How To Impersonate a Plain Clothes Police Officer. Photo: Nikki Pugh

Aste Amundsen/Apocalypse Gameshow/Pan Studio – Computer Aided Theatre. Photo: Mark Rhodes

Aste Amundsen/Apocalypse Gameshow/Pan Studio – Computer Aided Theatre. Photo: Mark Rhodes

After all that we all reconvened in the auditorium again for the afternoon session of presentations, this time chaired by Annette Mees. Swoomptheeng smashed us with the drum and bass, George reminded us to pay attention (also that carpentry is a difficult thing) and Owl Project keynoted on the theme of crafting interfaces.

Annette Mees; calm in the face of Swoomptheeng. Photo: Mark Rhodes

Annette Mees; calm in the face of Swoomptheeng. Photo: Mark Rhodes

Swoomptheeng – Raving with Ritualised Punk Technology. Photo: Nikki Pugh

Swoomptheeng – Raving with Ritualised Punk Technology. Photo: Nikki Pugh

George Buckenham – Making videogames with squishy bits. Photo: Nikki Pugh

George Buckenham – Making videogames with squishy bits. Photo: Nikki Pugh

Owl Project - Crafting instruments and interfaces. Photo: Mark Rhodes

Owl Project – Crafting instruments and interfaces. Photo: Mark Rhodes

This is an image that will stay with me for a while!

Afternoon panel session with Owl Project, Annette Mees, George Buckenham and Swoomptheeng. Photo: Nikki Pugh

Afternoon panel session with Owl Project, Annette Mees, George Buckenham and Swoomptheeng. Photo: Nikki Pugh

For more photos, take a look at our set on Flickr.

Why is it important that we bring together all this stuff in the same place? Rebecca Taylor, one of the presenters had this to say:

It really was so refreshing to be amongst folk who are all doing creative and exciting things that, whilst our projects can so often feel exciting, they can therefore also (sometimes) feel uncomfortable too – especially if they are challenging ‘the norm’. It is with that in mind that having a space like Bees in a Tin to gather and play, and share, is just simply, well… essential.

And this from Aste, who ran one of the smörgåsbord activities:

We are asking some really big questions and it’s so valuable for us to have an engaged enthusiastic audience to explore them with.

Many, many thanks to all the presenters, chairs and the engaged enthusiastic audience who made this day such a successful gathering.

There were also lots of people behind the scenes who helped make everything happen: Seb Harding, Kim Wall, Leon Trimble and our volunteer team Helen, Chris and Emma.

We’ve also had masses of support from all our partner organisations: working with Supersonic festival brought aural curiosities and more; Millennium Point and Thinktank provided space and specialist staff; and Arts Council, Creative Enterprise and Birmingham City University provided the funding that made it all possible.

Look back again at those quotes from Aste and Rebecca. If you make things and if those words resonate with you, then please do join us for the 5 Salons we’re running over the course of the rest of the year. Bees in a Tin was just the beginning!

supporters

Bees 2015 audio

We’ve uploaded the audio of the presentations from Bees in a Tin to Soundcloud. You can either listen to them there, use the player below or download them. Enjoy!

(The sound quality starts off a bit wonky on the first one, but it gets better about a minute in.)








Many thanks to Chris for twiddling the knobs and sliders in the booth all day, and to Kim for preparing the audio files of the recordings.

A Folded Path – exclusive performance

A Folded Path

Supersonic Festival have very generously reserved an entire performance of Circumstance’s A Folded Path exclusively for attendees of Bees in a Tin 2015.

Starting at 5:15, the hour-long pedestrian speaker symphony invites you to become the city’s orchestra, creating soundscapes while walking on a choreographed journey through the streets.

To further whet your appetite, Duncan Speakman will be giving a presentation on the ‘The social composition of A Folded Path and the myth of interactivity’ during the day at Bees in a Tin.

You’ll need to sign up for one of the 30 available places when you arrive at Bees in a Tin. Please make sure you wear appropriate shoes for walking in etc etc.

We’ll be at The Woodman pub after clearing away the conference, so come and find us there after the performance, or be waiting for us if you’re not lucky enough to get a place on A Folded Path. Either way, don’t book your return tickets home too early!

(We also have more information about Supersonic Festival here if you’re thinking of making a weekend of it.)

Supersonic Festival

We’re working in partnership with Supersonic this year, so one of our key messages about Bees in a Tin 2015 is DON’T GO HOME AFTERWARDS!

Well, if you live locally it might be okay, but if you’re travelling from further afield you might want to consider booking a night or two in Birmingham so you can have a whole weekend of experimental music and arts. Supersonic have listed some accommodation options including some discounted rates on their website at http://www.supersonicfestival.com/info/hotels/

Here’s a bit more about Supersonic, full details on their website.

supersonic

Supersonic Festival 2015
11-14 June
Birmingham UK

“Supersonic – a celebration of the expressive, challenging and generally out there“ The Times

Learn to make aleatory music using Hexadic System, see a masquerade-like performance by artist-composer Gazelle Twin, take part in a pedestrian speaker symphony led by Circumstance and marvel at the Moog Sound Lab. Supersonic has secured its experimental reputation with over 10 years of consistently innovative and explosive concoctions of visual installations, films, exhibitions and music. Guaranteed to open your eyes and ears to music and art outside the predictable genre labels and familiar performance spaces, Supersonic thrives on the spirit of adventure and discovery.

Line up includes:
Apostille / Afework Nigussie / Circuit Des Yeux / Eternal Tapestry / Flamingods / Gazelle Twin / Happy Meals / Jiří Wehle / Liima – Efterklang + Tatu Rönkkö / Liturgy / Phil Tyler / Ravioli Me Away / Rhodri Davies / Richard Dawson / Selventer / Sex Swing / Six Organs of Admittance/ Slow Magic / The Pop Group / Tomaga! / Wildbirds and Peacedrums / Will Gregory Moog Ensemble / Woven Skull + more TBA

Weekend tickets are on sale via http://www.supersonicfestival.com